Brian is drawn to, and tries to capture, the quiet moments in a robust, bustling city. Street photography has been a vehicle to express how he views the world, a visual extension of how he feels. He tries to take pictures of people exactly how he sees them. For Brian it is not so much about aesthetics, as it is about emotion; it is a simple need for connection with his subjects, and with his viewers. And if he occasionally attains that connection, it makes it all worth it. That’s the reason he continues to take pictures.
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ab·sence noun ˈab-sən(t)s
: a state or condition in which something expected, wanted, or looked for is not present or does not exist : a the occurrence of an abrupt, transient loss or impairment of consciousness (which is not subsequently remembered)
: a failure to be present at a usual or expected place
: a period of time when someone is not present
bur·row noun ˈbər-(ˌ)ō; ˈbə-(ˌ)rō
: a hole or tunnel excavated into the ground by an animal to create a space suitable for habitation, temporary refuge, or as a byproduct of locomotion. Burrows provide a form of shelter against predation and exposure to the elements, so the burrowing way of life is quite popular among the animals.
con·ver·gence noun kən-ˈvər-jən(t)s
: the act of converging and especially moving toward union or uniformity; especially : coordinated movement of the two eyes so that the image of a single point is formed on corresponding retinal areas
: the point of converging; a meeting place
chro·ma noun ˈkrō-mə
: saturation 4a
: a quality of color combining hue and saturation
: freedom from white or gray
olio noun ˈō-lē-ˌō
: a miscellaneous mixture : hodgepodge
: a rich, thick, stew
: a collection of various musical, theatrical or other artistic works; a miscellany.
The invention of modern instant cameras is generally credited to American scientist Edwin Land, who unveiled the first commercial instant camera, the Land Camera, in 1948, a year after unveiling instant film in New York City.
Creativity is the sudden cessation of stupidity.